![]() Calli still remains above all an avid hard worker who is regularly working on projects behind the scenes, often not sleeping for long periods of time. However, Calli's playful side comes out more evidently during collaborations with her genmates, displaying a side of Calli which viewers don't regularly experience. This combination of a relaxed yet serious personality has earned her the admiration of not only her fans, but also the other hololive talents as well. However, she is not afraid to get serious about topics that may be on her mind, and engages in thoughtful discussions with viewers. Calli's cool attitude can be clearly observed in most of her streams, as she tries her best to impress her fans with her musical talent and occasional gaming skills. The Grim Reaper's apprentice has displayed throughout her streams, guest appearances, and music to a have cool, yet serious personality, with a timid side being seen when interacting with others for the first time, such as her senpais. In the end, she's a gentle-hearted girl whose sweet voice contradicts the morbid things she tends to say, as well as her hardcore vocals. It seems that the lost souls vaporized by the wholesome relationships of VTubers flow through her as well. Because the world's medical system advanced so dramatically, Calliope became a VTuber to collect souls. If Price wins the Turner prize, as she deserves to, death really will be having a moment.The Grim Reaper's first apprentice. Like the art of the early 1990s, this terrifying fugue of images and sounds (has a soundtrack ever been so scary? Not since David Lynch's film Lost Highway) makes you acutely aware of mortality and therefore of life. Elizabeth Price weaves together gothic carvings and the horrible true story of the Manchester Woolworths fire to compose a grisly soul-funk requiem in her film The Woolworths Choir of 1979. The most powerful work in this year's Turner prize also happens to be one of the most macabre works of art I have ever seen. Is that happening now? Are we entering a deathly golden age? If this is true, then whenever death lords it in the art galleries, it means art is beginning to really say something. The real reason death was essential to art in the 1990s was that it enabled artists to cut through the crap – or, to put it another way, to escape the self-enclosed, haughty world of a dying modern art scene to make images that actually matter to real people in their real lives. However, that does not explain why death became such an art star in works such as Sarah Lucas's unforgettable sculpture, Is Suicide Genetic? Meanwhile the artist Felix Gonzales-Torres began a memorable postmortem career, his witty conceptualism triumphing over his Aids-related demise. ![]() Lucian Freud monumentally portrayed performance artist Leigh Bowery, who was soon to die of an Aids-related illness. One reason art was so morbid circa 1990 was the impact of Aids. Jake and Dinos Chapman enacted Great Deeds Against the Dead. Rachel Whiteread's casts were death masks of places, as spooky as empty-eyed skulls. A pickled shark in a tank was the toothy tip of the iceberg.
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